Review

Watched The Departed over the weekend, and my thought was: now this is how you do an adaptation. Scorsese at his finest - no one mixes the sheer brutality and the lyricism of violence like he does. Top notch acting all around, and some beautiful cinematography - I thought the final scene was a marvel of composition, and then I watched parts again and noticed all the “X"s in the scene whenever someone died. And for anyone’s who spent any time in Boston, the clear echoes of Whitey Bulger are compelling.

I watched Will Ferrell in Stranger Than Fiction a couple of nights ago, probably the first time I can remember Ferrell in a role other than “overgrown fratboy” - indeed, here he plays an IRS auditor, so he’s very much the epitome of the straight man here. It pleasantly surprised me that he held his own acting against Emma Thompson, Dustin Hoffman, and Maggie Gyllenhaal (who, incidentally, I’m convinced has one of the sexiest voices in Hollywood).

Dreamgirls is shot Bill Condon style - lots that reminded me of Chicago. Or is that just because there are so few movie musicals these days? In any case, for an avid, avowed Motown fan such as myself, Dreamgirls was a great exercise in spot-the-parallels (ooh, and just as I typed that, the Supremes’ “Where Did Our Love Go?” came on): the Dreamgirls = the Supremes, Curtis Taylor Jr. = Berry Gordy etc. etc. (although obviously it isn’t a direct adaptation, and Paramount has been careful to make clear that it’s a fictionalised account).

Watched Half Nelson at the Picturehouse on Sunday. Ryan Gosling does a fine, fine job as Dan Dunne, teacher, budding writer, and basehead. Worthy of the Oscar nom, and certainly living up to the acting potential he showed in The Believer. I can see Ryan Gosling following in the footsteps of Edward Norton, going the Serious Actor With Good Looks route. Or is it just because The Believer and American History X naturally invite comparisons?